The reason for this isn’t so much about a cinematic look – it’s a matter of functionality. If you have just a couple of hours with your subject or a few small stretches of time to capture the story, shoot slo-mo as much as it makes sense. This tip is best applied when you have have a small window of shot time. Here are some universal tips for any filmmakers on a remote shoot. These are not rules to live by – just the musings of a fellow filmmaker who has been through a thing or two on the road. The video below might give you a head start. On a remote shoot, the key is learning how to take lemons and make lemonade. I’ve dealt with this situation quite a few times over the years, and I’ve learned a few things along the way.Īs filmmakers, each of us is the product of our experiences my experiences have taught me that necessity is the mother of invention. You have no help, no time, and no resources. Sometimes you’re in the middle of nowhere, you only have a few hours, and the only other person there is the one that you’re supposed to be filming. It’s not always possible to do things the way they’re supposed to be done. Use these tips when you have no time, no help, and few resources. You won’t have access to your best gear and a full crew on a remote shoot, but you can still make something cool.
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